Monumentos Principales en la Zona Louvre - Les Halles

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PARIS HOMEPAGE » PUNTOS TURISTICOS DE ZONA LOUVRE

MUSEO DE LOUVRE


Louvre
The Louvre Museum is an intersection of time, space and national boundaries. The rich collection includes objects from the Egyptian pharaons, the halls of Roman Emperors, paints by French artists and many other interesting collections. From the fortress of Philippe Auguste (1190) to the completion of the "Grand Dessein" (1870), the Louvre palace has extended progressively along the right bank of the Seine. A true barrier separating the northern and southern parts of the city, the building constitutes the point of departure of the great East-West view, which crosses the Arc du Carrousel, the obelisk in the Place de la Concorde, the Arco del Triunfo on the Champs-Elysées, and extends right out to the new Arch de la Défense. The international renown of the Louvre museum sometimes makes us forget that it was originally designed as a palace. Since the Middle Ages, its development has been quite exceptional, marked by both the major events of French history and the succession of architects and decorators who have left their mark on it.
Established in 1793 by the French Republic, the Louvre Museum, in the company of the Ashmolean Museum (1683), the Dresden Museum (1744) and the Vatican Museum (1784) is one of the earliest European museums. Divided into 7 departments, the Louvre collections incorporate works dating from the birth of the great antique civilisations right up to the first half of the XIXth century, thereby confirming its encyclopaedic vocation. The collections are: Oriental Antiquities, Islamic Art, Greek, Etruscan and Roman Antiquities, Sculptures, Art Objects, Paintings, Prints and Drawings, History of the Louvre and Art of Civilizations of Africa, Asia, Oceania and Americas. The Pyramid, one of the Museum’s entrance, was built in 1985 by the architect I.M.Pei. The idea was to move the museum’s entrance to an underground level in the Cour Napoléon, surmounted by this pyramid.
This proposal met many controversies: some saw it like a sacrilege; others like a stroke of genius. The masterpieces here exposed are so many that we cannot mention each of them: we absolutely have to indicate the world famous “Monnalisa” or “Gioconda” by Leonardo da Vinci, many paintings by Italian artists such as Michelangelo and Guido Reni; drawings by Leonardo, Michelangelo, Salviati and Correggio; and the enchanting Egyptian collection. If you come in Paris, you cannot loose a visit to one of the most interesting museums of the world!

FORUM DES HALLES


Les Halles
Located in the heart of Paris, the Forum des Halles is a park at ground level, a large underground mall, and below that, the world’s largest underground subway station. Surrounding the Forum des Halls are numerous shops and restaurants. The park is very popular among locals when the weather is friendly, and the shopping complex features numerous big-name department stores and eateries. An open-sky plaza sits in the center of an all-glass covering that pedestrians pass on their way to the restaurants, boutiques, cultural institutions, discotheques, museums and cinemas located on the underground level. The Forum des Halles actually sits on the grounds of the famous old market Halles. For more than eight hundred years these grounds served as the central marketplace for Paris. As population increased over time, congestion in the area was inevitable. By the late-20th century the city was forced to relocate the hundreds of food stands and cafes to a suburban area called Rungis. Subsequently, with the huge marketplace gone, what was once the city’s most bustling area was now nothing more than a gigantic hole in the ground. Eventually, after several years, the city decided to turn the le trou des Halles (the hole of the Halles) into what we now know as the Forum des Halles.

PALAIS ROYAL


The Palais Royal began as a small and private theatre in the residence of Cardinal Richelieu. It was designed by the architect, Jacques Lemercier. This theatre became known by the name of the residence, the Palais Cardinal. It was the first theatre in France with movable scenery wings and a proscenium arch. Its first production was Jean Desmeret's Mirame in 1641.
Following Richelieu's death, the palace became royal property. It was then used for courtly entertainment. In 1660, Moliere and his troupe used the theater for their productions until the death of Moliere in 1673. After Moliere's death, Jean-Baptiste Lully used the Palais Royal for his Academy of Music and their opera productions. The theatre burned down in 1763. It was rebuilt but burned down again in 1781. The area was then redeveloped into an amusement area by its owner the Duke de Chartres. It contained a number of theatres, many called the Palais Royal at various times. To this day several theatres remain in the area.

PLAZA VENDÔME



Plaza Vendôme
This square, a masterpiece of classical architecture, dates back to the reign of Louis XIV.
The Vendôme Column, in which on the top is Napoleon, and the facades of the houses surrounding it make it one of the most elegant squares.
Today it is the Mecca of Paris's luxury activities.
A restoration project to eliminate parking and restore its original 18th century appearance was completed by the Ville de Paris in 1992.

JARDIN DES TUILERIES


Jardin des Tuileries
The Jardin des Tuileries celebrates the victory of geometry over the nature. These gardens are situated between Place du Carrousel and Place de la Concorde. The land was purchased by Caterina de'Medici in 1563 with the intention of transforming it into an English style garden. Enriched by Le Nôre in 1663, the present Tuileries garden includes two large sectors crossed by a central avenue which is lined with large flower beds and decorated with sculptures.

GALERIA NACIONAL DU JEU DE PAUME



Galeria Nacional
du Jeu de Paume
The Galerie Nationale du Jeu de Paume is a museum of contemporary art in the north-west corner of the Tuileries Gardens in Paris. The building was built in 1861 during the reign of Napoleon III. It originally housed tennis courts; the name is from the precursor of tennis, the “jeu de paume”.
It was used from 1940 to 1944 to store Jewish cultural property looted by the Nazi regime in France.
Before 1986, it contained the Musée du Jeu de Paume, which held many important impressionist works now in the Musée d'Orsay.

MUSEO DE L'ORANGERIE



Museo del'Orangerie
Opened in 1927, the “ Musée de l’Orangerie”, is home to interesting works by Rénoir, Cézanne, Matisse, Picasso, Rousseau and “Les Nymphéas” (Water Lilies) by Monet. This museum is closed until 2004 for renovations.

PLAZA DU CARROUSEL


Arco del Triunfo du Carrousel
The Arco del Triunfo du Carrousel (architects Percier and Fontaine) was built between 1806 and 1808 by Napoleon I following the model of the Arc of Constantine in Rome. The two arches built by Napoleon - Arco del Triunfo du Carrousel and the Arco del Triunfo at Etoile, were to commemorate his victories, and the grand army who had won them. The bronze horses on top of the Arco del Triunfo du Carrousel were taken from Saint-Marc of Venice. These were later returned after the second world war.

PALAIS DE JUSTICE Y SAINTE CHAPELLE



Palais de Justice
A wide set of stone steps at the main entrance of the Palais de Justice leads to 3 doorways: you can choose between the one that represents Liberty or Equality or Fraternity, words that once signified revolution and now serve as the bedrock of French Tradition. Choose a door and make your way through the green gates that stand beyond the door representing “Equality”. Climb the stairs to the second floor and go on the left…here the guards will let you into a viewing gallery.
The Sainte-Chapelle ("Holy Chapel"), located within the Palais de Justice complex, is a diminutive yet perfect example of the Gothic architecture. It was erected by Louis IX, king of France, to house the Crown of Thorns and a fragment of the True Cross, precious relics of the Passion. King Louis had purchased these in 1239 from the Byzantine emperor Baldwin II, for the exorbitant sum of 135,000 livres (the chapel "only" cost 40,000 livres to build). Two years later, more relics were brought from Byzantium. The real star of the Building is the Upper Chapel. On sunny days, light pours through its walls of stained glass, illuminating frescoes of saints and martyrs and creating one of the most breathtaking sights in Paris.

CONCIERGERIE



Conciergerie
Built as a great royal palace in the 14th century, the Conciergerie was later turned into a prison. During the Reign of Terror (1793-94), it was used to hold the accused before they were brought in front of the Revolutionary Tribunal in the Palais de Justice next door. Over two and a half thousand prisoners were held here before being taken by tumbrel to the guillotine. Famous victims included Queen Marie Antoinette as well as Danton and Robespierre. The effect of walking into this dark, historically rich monument to the Revolution is a far cry from that of entering its illuminated neighbour, the St-Chapelle.

RUE DE RIVOLI



Rue de Rivoli
A road parallel to the Seine links Place de la Concorde to Place de la Bastille. It is one of Napoleon's most beautiful urbanistic realisations, work of two of the Emperor's architects, Percier and Fontaine. The stretch which borders the Tuileries garden and the Louvre palace has, on one side, an elegant arcade lined with a large number of fashion boutiques and shops selling articles for tourists.

MUSEO DE LA MODE ET DU COSTUME

With 30.000 outfits, 70.000 accessories and a relatively small space, the museum of Fashion and Clothing rotates exhibitions to showcase fashions of the past three centuries. This is the place to go to see the history of Parisian high fashion and high society.

ST-EUSTACHE



St-Eustache
Saint Eustache Cathedral has its origins in a church dedicated to Saint Agnes. This was true until the 16th century when, in 1532, Jean de la Barre, the mayor of Paris began work on what is now Saint Eustache Cathedral. The reason for the beginning of this work was because it had become necessary to enlarge the town square. The work was discontinued during the religious wars, and was not begun again until 1624.
The exterior of the church is very ornate and beautiful and has a gothic architecture like Notre Dame. The church distinguishes itself by the variety of its architecture: The interior is gothic, but the decor itself is done in Renaissance style. Several famous people are buried within its walls, such as Molière, Richelieu, and the marquise de Pompadour. On the exterior of the church, one finds numerous gargoyles, which makes the architecture particularly admirable.

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